Stan książek
Nasze książki są dokładnie sprawdzone i jasno określamy stan każdej z nich.
Nowa
Książka nowa.
Używany - jak nowa
Niezauważalne lub prawie niezauważalne ślady używania. Książkę ciężko odróżnić od nowej pozycji.
Używany - dobry
Normalne ślady używania wynikające z kartkowania podczas czytania, brak większych uszkodzeń lub zagięć.
Używany - widoczne ślady użytkowania
zagięte rogi, przyniszczona okładka, książka posiada wszystkie strony.
Howl
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In "Howl," Howard Jacobson, a Booker-Prize recipient, delivers a compelling novel depicting the descent of an individual in a surreal and convoluted world. Seen as the unrivaled British authority on dark comedies, Jacobson weaves the story of Ferdinand Draxler, who wanders the streets of London in a state of despair following the events of October 7. Everything around him feels altered—the sights, sounds, and atmosphere, and as a result, he finds himself questioning his identity. Is this a pivotal moment in history, or merely a reflection of his own despondent disposition?Draxler is caught in a personal struggle, haunted by his father, a Holocaust survivor who criticizes his perceived cowardice, and by his daughter, who accuses him of being an accomplice in genocide. His obsession with negative news consumes him as he yells at the TV and carries a can of paint to obscure offensive graffiti. Tension pervades the staffroom of the primary school where he serves as headmaster, a place now fraught with divisive opinions that he leaves unresolved.His wife, Charmian, provides a sense of tranquility, yet even she questions her ability to help Ferdinand overcome his turmoil. He assures her, "Don't worry about me. I don't have what it takes to go mad." Jacobson's narrative brilliance shines through with his adept use of tone shifts, seamlessly moving between satire and sincerity, showcasing a mastery of eloquent and precise prose that speaks to his command of language.
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In "Howl," Howard Jacobson, a Booker-Prize recipient, delivers a compelling novel depicting the descent of an individual in a surreal and convoluted world. Seen as the unrivaled British authority on dark comedies, Jacobson weaves the story of Ferdinand Draxler, who wanders the streets of London in a state of despair following the events of October 7. Everything around him feels altered—the sights, sounds, and atmosphere, and as a result, he finds himself questioning his identity. Is this a pivotal moment in history, or merely a reflection of his own despondent disposition?Draxler is caught in a personal struggle, haunted by his father, a Holocaust survivor who criticizes his perceived cowardice, and by his daughter, who accuses him of being an accomplice in genocide. His obsession with negative news consumes him as he yells at the TV and carries a can of paint to obscure offensive graffiti. Tension pervades the staffroom of the primary school where he serves as headmaster, a place now fraught with divisive opinions that he leaves unresolved.His wife, Charmian, provides a sense of tranquility, yet even she questions her ability to help Ferdinand overcome his turmoil. He assures her, "Don't worry about me. I don't have what it takes to go mad." Jacobson's narrative brilliance shines through with his adept use of tone shifts, seamlessly moving between satire and sincerity, showcasing a mastery of eloquent and precise prose that speaks to his command of language.
