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Książka nowa.
Używany - jak nowa
Niezauważalne lub prawie niezauważalne ślady używania. Książkę ciężko odróżnić od nowej pozycji.
Używany - dobry
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Używany - widoczne ślady użytkowania
zagięte rogi, przyniszczona okładka, książka posiada wszystkie strony.
Warpaint. Male Makeup and Identity Through Time
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Warpaint delves into the often neglected history of male self-decoration, a cultural custom through which men have expressed identity, displayed power, and navigated their roles in society. From the ceremonial pigments used by ancient tribes to the rebellious styles of contemporary subcultures, men have long used their faces and bodies as mediums for transformation, challenge, and attraction. As traditional concepts of masculinity are reimagined and the global male beauty market expands, Warpaint considers how appearance acts as both an instrument of conformity and a form of resistance. Featuring impactful images and thoughtful analysis, the book uncovers the societal, political, and psychological influences that shape men's choices in being visible or opting for obscurity. Written by cultural critic Joshua Sims, Warpaint reinterprets these practices not as mere decoration but as deep-seated rituals of expression and rebellion, essential to the continuing transformation of masculinity.
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Warpaint delves into the often neglected history of male self-decoration, a cultural custom through which men have expressed identity, displayed power, and navigated their roles in society. From the ceremonial pigments used by ancient tribes to the rebellious styles of contemporary subcultures, men have long used their faces and bodies as mediums for transformation, challenge, and attraction. As traditional concepts of masculinity are reimagined and the global male beauty market expands, Warpaint considers how appearance acts as both an instrument of conformity and a form of resistance. Featuring impactful images and thoughtful analysis, the book uncovers the societal, political, and psychological influences that shape men's choices in being visible or opting for obscurity. Written by cultural critic Joshua Sims, Warpaint reinterprets these practices not as mere decoration but as deep-seated rituals of expression and rebellion, essential to the continuing transformation of masculinity.
