Stan książek
Nasze książki są dokładnie sprawdzone i jasno określamy stan każdej z nich.
Nowa
Książka nowa.
Używany - jak nowa
Niezauważalne lub prawie niezauważalne ślady używania. Książkę ciężko odróżnić od nowej pozycji.
Używany - dobry
Normalne ślady używania wynikające z kartkowania podczas czytania, brak większych uszkodzeń lub zagięć.
Używany - widoczne ślady użytkowania
zagięte rogi, przyniszczona okładka, książka posiada wszystkie strony.
Niki de Saint Phalle
Masz tę lub inne książki?
Sprzedaj je u nas
Niki de Saint Phalle (1930-2002), a prominent figure in the Nouveau Réalisme movement of early 1960s Paris, collaborated with artists like Arman, Yves Klein, and Jean Tinguely. She distinguished herself by incorporating everyday objects such as household goods, machinery, and toys into her artwork rather than relying solely on traditional materials. Her innovative approach is exemplified in her first shooting painting, known as Tir, created in 1961. These performances took place in diverse settings, including Impasse Ronsin in Paris, a garden in Amsterdam, a sandpit near Stockholm, and the Malibu Hills. Using a gun, bullets would pierce through reliefs constructed from plaster, small items, paint, wood, and wire. This book serves as an introduction to Saint Phalle's artistic journey, detailing her pivotal impact on 20th-century art. Her sculptures boldly explored themes of femininity, often celebrating the female form in pieces like Pink Birth (1964) and Hon En Kathedral (1966), while also delving into the complexities of life and death.
Wybierz stan zużycia:
WIĘCEJ O SKALI
Niki de Saint Phalle (1930-2002), a prominent figure in the Nouveau Réalisme movement of early 1960s Paris, collaborated with artists like Arman, Yves Klein, and Jean Tinguely. She distinguished herself by incorporating everyday objects such as household goods, machinery, and toys into her artwork rather than relying solely on traditional materials. Her innovative approach is exemplified in her first shooting painting, known as Tir, created in 1961. These performances took place in diverse settings, including Impasse Ronsin in Paris, a garden in Amsterdam, a sandpit near Stockholm, and the Malibu Hills. Using a gun, bullets would pierce through reliefs constructed from plaster, small items, paint, wood, and wire. This book serves as an introduction to Saint Phalle's artistic journey, detailing her pivotal impact on 20th-century art. Her sculptures boldly explored themes of femininity, often celebrating the female form in pieces like Pink Birth (1964) and Hon En Kathedral (1966), while also delving into the complexities of life and death.
