Stan książek
Nasze książki są dokładnie sprawdzone i jasno określamy stan każdej z nich.
Nowa
Książka nowa.
Używany - jak nowa
Niezauważalne lub prawie niezauważalne ślady używania. Książkę ciężko odróżnić od nowej pozycji.
Używany - dobry
Normalne ślady używania wynikające z kartkowania podczas czytania, brak większych uszkodzeń lub zagięć.
Używany - widoczne ślady użytkowania
zagięte rogi, przyniszczona okładka, książka posiada wszystkie strony.
Masquerade (barwione brzegi) w.ukraińska
Masz tę lub inne książki?
Sprzedaj je u nas
Olena Pchilka, whose real name is Olga Dragomanova-Kosach, is widely recognized not only as Lesya Ukrainka's mother but also as the mother of five other children. Beyond her familial roles, she is acclaimed as an ethnographer, editor, public figure, educator, partner, wife, mother-in-law, and grandmother. These multi-dimensional roles set the stage for her "Masquerade" collection, a vivid portrayal of various characters in pursuit of self-discovery. These characters are engaged in learning, traveling, working, and nurturing relationships. Some dream of marriage, experience fear of physical intimacy, or compel their husbands to perform work they dislike for financial gain. Pchilka masterfully navigates through these diverse roles, offering insights with love, approval, sympathy, and occasionally disdain. Her ability to adopt different personas and voices presents a challenging endeavor to identify the author within this complex masquerade of life. The collection invites readers to find reflections of themselves in the diverse characters she creates.
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WIĘCEJ O SKALI
Olena Pchilka, whose real name is Olga Dragomanova-Kosach, is widely recognized not only as Lesya Ukrainka's mother but also as the mother of five other children. Beyond her familial roles, she is acclaimed as an ethnographer, editor, public figure, educator, partner, wife, mother-in-law, and grandmother. These multi-dimensional roles set the stage for her "Masquerade" collection, a vivid portrayal of various characters in pursuit of self-discovery. These characters are engaged in learning, traveling, working, and nurturing relationships. Some dream of marriage, experience fear of physical intimacy, or compel their husbands to perform work they dislike for financial gain. Pchilka masterfully navigates through these diverse roles, offering insights with love, approval, sympathy, and occasionally disdain. Her ability to adopt different personas and voices presents a challenging endeavor to identify the author within this complex masquerade of life. The collection invites readers to find reflections of themselves in the diverse characters she creates.
