Stan książek
Nasze książki są dokładnie sprawdzone i jasno określamy stan każdej z nich.
Nowa
Książka nowa.Używany - jak nowa
Niezauważalne lub prawie niezauważalne ślady używania. Książkę ciężko odróżnić od nowej pozycji.Używany - dobry
Normalne ślady używania wynikające z kartkowania podczas czytania, brak większych uszkodzeń lub zagięć.Używany - widoczne ślady użytkowania
zagięte rogi, przyniszczona okładka, książka posiada wszystkie strony.DODAJ DO LISTY ŻYCZEŃ
Masz tę lub inne książki?
Sprzedaj je u nas
Twentieth-Century Models of the Theatrical Work
DODAJ DO LISTY ŻYCZEŃ
Masz tę lub inne książki?
Sprzedaj je u nas
This book offers readers a clear model for reflecting upon works of theater, a summary of twentieth-century knowledge on the subject, and a holistic view of the consequences and achievements of modern theatrical autonomy. Krzysztof Pleśniarowicz draws an antinomy confined exclusively to works of theater: that of illusion/anti-illusion-in contrast to the largely obsolete opposition between a work of literature (drama) and a non-literary work of theater (play).
Professor Dobrochna Ratajczakowa
Pleśniarowicz's book is a relevant and current voice in the global discussion on how the art of theater has evolved. One of its strongest points is that it embeds theater theory solidly in its entire humanities context, as well as the undeniable originality of its approach to the topic and the clarity with which it is presented.
Professor Leszek Kolankiewicz
Krzysztof Pleśniarowicz, Jagiellonian University professor, Head of Department of Contemporary Culture JU, Director of the Cricoteka Centre for the Documentation of the Art of Tadeusz Kantor in Cracow (1994-2000). His publications include: The Theatre of Un-Human Forms (in Polish, 1994, 2023), Eastern Drama of the Absurd in the Twilight of the Soviet Block (in Polish, 1994, 2021; in English 2023), The Dead Memory Machine. Tadeusz Kantor's Theatre of Death (in Polish, 1990; in English, 1994, 2004; in Hungarian 2007), critical editions of Tadeusz Kantor's writings (in Polish, 2000, 2005; in Romanian 2014).
Wybierz stan zużycia:
WIĘCEJ O SKALI
This book offers readers a clear model for reflecting upon works of theater, a summary of twentieth-century knowledge on the subject, and a holistic view of the consequences and achievements of modern theatrical autonomy. Krzysztof Pleśniarowicz draws an antinomy confined exclusively to works of theater: that of illusion/anti-illusion-in contrast to the largely obsolete opposition between a work of literature (drama) and a non-literary work of theater (play).
Professor Dobrochna Ratajczakowa
Pleśniarowicz's book is a relevant and current voice in the global discussion on how the art of theater has evolved. One of its strongest points is that it embeds theater theory solidly in its entire humanities context, as well as the undeniable originality of its approach to the topic and the clarity with which it is presented.
Professor Leszek Kolankiewicz
Krzysztof Pleśniarowicz, Jagiellonian University professor, Head of Department of Contemporary Culture JU, Director of the Cricoteka Centre for the Documentation of the Art of Tadeusz Kantor in Cracow (1994-2000). His publications include: The Theatre of Un-Human Forms (in Polish, 1994, 2023), Eastern Drama of the Absurd in the Twilight of the Soviet Block (in Polish, 1994, 2021; in English 2023), The Dead Memory Machine. Tadeusz Kantor's Theatre of Death (in Polish, 1990; in English, 1994, 2004; in Hungarian 2007), critical editions of Tadeusz Kantor's writings (in Polish, 2000, 2005; in Romanian 2014).