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Conquest of the Useless wer. angielska
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A fever-dream journal captures the making of one of cinema's most controversial productions, directed by the legendary Werner Herzog. In 1982, Herzog released "Fitzcarraldo," a lavish film depicting an aspiring rubber baron dragging a 320-ton steamship over a mountain. Acclaimed by global critics as a cinematic masterpiece, this film earned Herzog the Outstanding Director Prize at the 1982 Cannes Film Festival, cementing his status as one of the most respected and mysterious filmmakers of his era."Conquest of the Useless" is Herzog's diary written during the creation of "Fitzcarraldo," spanning from June 1979 to November 1981. The entries, resembling an Amazonian fever dream, are a unique documentation of the film's production. Herzog recounts bizarre and surreal events: the jungle-based crew camp is attacked and burned, the film’s production gets entangled with a border conflict, and, notably, the formidable task of transporting a 320-ton ship over a hill is achieved without special effects.In the preface, Herzog clarifies that the diary entries in "Conquest of the Useless" are not straightforward accounts of the filming but "inner landscapes, born of the delirium of the jungle." This offers a remarkable insight into his creative genius during the creation of one of his most outstanding works.
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dobry
widoczne ślady używania
Dostępna ilość 11
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A fever-dream journal captures the making of one of cinema's most controversial productions, directed by the legendary Werner Herzog. In 1982, Herzog released "Fitzcarraldo," a lavish film depicting an aspiring rubber baron dragging a 320-ton steamship over a mountain. Acclaimed by global critics as a cinematic masterpiece, this film earned Herzog the Outstanding Director Prize at the 1982 Cannes Film Festival, cementing his status as one of the most respected and mysterious filmmakers of his era."Conquest of the Useless" is Herzog's diary written during the creation of "Fitzcarraldo," spanning from June 1979 to November 1981. The entries, resembling an Amazonian fever dream, are a unique documentation of the film's production. Herzog recounts bizarre and surreal events: the jungle-based crew camp is attacked and burned, the film’s production gets entangled with a border conflict, and, notably, the formidable task of transporting a 320-ton ship over a hill is achieved without special effects.In the preface, Herzog clarifies that the diary entries in "Conquest of the Useless" are not straightforward accounts of the filming but "inner landscapes, born of the delirium of the jungle." This offers a remarkable insight into his creative genius during the creation of one of his most outstanding works.
