Stan książek
Nasze książki są dokładnie sprawdzone i jasno określamy stan każdej z nich.
Nowa
Książka nowa.
Używany - jak nowa
Niezauważalne lub prawie niezauważalne ślady używania. Książkę ciężko odróżnić od nowej pozycji.
Używany - dobry
Normalne ślady używania wynikające z kartkowania podczas czytania, brak większych uszkodzeń lub zagięć.
Używany - widoczne ślady użytkowania
zagięte rogi, przyniszczona okładka, książka posiada wszystkie strony.
The Power of Secret
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In 1989, Poland stood on the brink of tremendous political transformation; with the collapse of the Berlin Wall and capitalism's spread, liberation was imminent for those living behind the Iron Curtain. At that time, a young Karol Radziszewski, only nine years old and residing in Białystok, filled his notebooks with imaginative drawings. His sketches included princesses wearing glasses, dogs with mermaid tails, and enigmatic enchantresses with boldly adorned chests, adding an air of mystery and momentarily concealed desires. These secretive creations remained hidden from prying eyes.Now, these early drawings resurface as a window into Radziszewski's adult identity, reflecting the culmination of his grand queer archive. A versatile figure, he thrives as an artist, curator, film director, and passionate collector, adeptly bridging the realms of visual and performative art. He is perhaps most renowned for founding the Queer Archives Institute, an ongoing performance and informal entity dedicated to exploring the repressed, yet captivating queer history of Central and Eastern Europe.Radziszewski constructs a unique montage from various archival sources—be they self-generated, ready-made, or sparks for artistic interpretation—to forge fresh perspectives on history, memory, and law. By marrying fact with fiction, he assembles narratives from memory fragments and deliberately lays false tracks, prompting viewers to consider alternative historical recollections.The true performative essence of Radziszewski's archive transcends its recounting of history; it lies in its ability to project a queer vision for the future—one marked by its revolutionary spirit, transformative power, and the enduring aspiration for liberty.
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In 1989, Poland stood on the brink of tremendous political transformation; with the collapse of the Berlin Wall and capitalism's spread, liberation was imminent for those living behind the Iron Curtain. At that time, a young Karol Radziszewski, only nine years old and residing in Białystok, filled his notebooks with imaginative drawings. His sketches included princesses wearing glasses, dogs with mermaid tails, and enigmatic enchantresses with boldly adorned chests, adding an air of mystery and momentarily concealed desires. These secretive creations remained hidden from prying eyes.Now, these early drawings resurface as a window into Radziszewski's adult identity, reflecting the culmination of his grand queer archive. A versatile figure, he thrives as an artist, curator, film director, and passionate collector, adeptly bridging the realms of visual and performative art. He is perhaps most renowned for founding the Queer Archives Institute, an ongoing performance and informal entity dedicated to exploring the repressed, yet captivating queer history of Central and Eastern Europe.Radziszewski constructs a unique montage from various archival sources—be they self-generated, ready-made, or sparks for artistic interpretation—to forge fresh perspectives on history, memory, and law. By marrying fact with fiction, he assembles narratives from memory fragments and deliberately lays false tracks, prompting viewers to consider alternative historical recollections.The true performative essence of Radziszewski's archive transcends its recounting of history; it lies in its ability to project a queer vision for the future—one marked by its revolutionary spirit, transformative power, and the enduring aspiration for liberty.
