Stan książek
Nasze książki są dokładnie sprawdzone i jasno określamy stan każdej z nich.
Nowa
Książka nowa.
Używany - jak nowa
Niezauważalne lub prawie niezauważalne ślady używania. Książkę ciężko odróżnić od nowej pozycji.
Używany - dobry
Normalne ślady używania wynikające z kartkowania podczas czytania, brak większych uszkodzeń lub zagięć.
Używany - widoczne ślady użytkowania
zagięte rogi, przyniszczona okładka, książka posiada wszystkie strony.
The Crisis of Narration
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Narratives have traditionally served as the glue that unites us, fostering a sense of community and grounding our existence. However, in today's information-driven society, where things feel increasingly arbitrary and unpredictable, the essence of storytelling has shifted. It's become more about 'storyselling,' and the unifying power of narratives has diminished. While narratives once built strong communities, modern storytelling only briefly connects people as consumers. The ancient practice of gathering around a fire to share tales has been replaced by digital screens, which often isolate rather than unify. In this digital age, storytelling has been co-opted by capitalism, reducing it to a tool for selling rather than sharing communal experiences. This shift reflects a collective struggle to handle unpredictability, yet storytelling in its current form fails to rebuild the enduring narrative communities of the past. Instead, it represents a troubling trend of our era. Byung-Chul Han, a keen observer of modern culture, analyzes this dilemma with remarkable clarity and skill.
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Narratives have traditionally served as the glue that unites us, fostering a sense of community and grounding our existence. However, in today's information-driven society, where things feel increasingly arbitrary and unpredictable, the essence of storytelling has shifted. It's become more about 'storyselling,' and the unifying power of narratives has diminished. While narratives once built strong communities, modern storytelling only briefly connects people as consumers. The ancient practice of gathering around a fire to share tales has been replaced by digital screens, which often isolate rather than unify. In this digital age, storytelling has been co-opted by capitalism, reducing it to a tool for selling rather than sharing communal experiences. This shift reflects a collective struggle to handle unpredictability, yet storytelling in its current form fails to rebuild the enduring narrative communities of the past. Instead, it represents a troubling trend of our era. Byung-Chul Han, a keen observer of modern culture, analyzes this dilemma with remarkable clarity and skill.
